
WHERE GIANTS USED TO BE
I arrived at Bingie Bingie Point carrying the usual baggage. Not the kind that fits in the boot of a car.
The other kind.
Worries. Half-finished thoughts. Old ghosts rattling around in my head like loose stones.
The wind came at me hard from the Pacific, scrubbing the skin clean. Four kilometres of empty beach stretched south towards Coila Lake, wild and unsupervised. No flags. No lifeguards. No promises. Just surf detonating against the shore and currents strong enough to remind you that the sea has never once considered your feelings.
I walked.
Granite pushed out of the earth at Mullimburra Point.
Four hundred million years of weather, tide and stubbornness. Black basalt lay scattered among the pale stone like burnt stars. The lichen-dusted rocks looked as though giants had abandoned a game halfway through and wandered off into the sea.
Somewhere along the track, I began seeing him.
Don Quixote.
Not the skinny knight from the paintings.
This one rode a horse made of sea mist. His armour was hammered together from driftwood and moonlight. He charged at sea-dragons that weren't there, lowering his lance towards spinning columns of salt spray. Every time a wave exploded against the rocks, he took it for a giant and galloped straight into the foam.
Was I imagining him, or had the coastline loosened a few bolts in my head?
Either way, he seemed to belong.
Maybe that’s all there was.
Most of us spend our lives charging at things that aren't really there. Old conversations. Future disasters. Regrets that have long since stopped caring about us.
We lower the lance and ride anyway.
Beneath the dunes lay ancient shell middens and stone-working grounds, traces of people who knew this coastline long before maps and fences. Their stories still moved through the tea trees. The wind carried them inland. The sea carried them out.
Quixote kept riding.
The granite had its own philosophy.
Stand your ground.
The ocean had another.
Keep moving.
I had spent too long doing neither.
I sat on the headland as afternoon light spilled across the rocks. The sea turned silver. The wind softened. Quixote turned his horse toward the horizon and did not look back. Horse and rider thinned into spray and distance, the way things do when you stop holding onto them.
The beach remained exactly as it had been before I arrived.
The granite stayed put.
The ocean kept rolling in.
For the first time in a long while, I stopped chasing things that weren't there.
I headed back up the track carrying less than I brought.
Oil on stretched canvas / 60cm x 60cm / framed in Tasmanian Oak and ready to hang.
* This painting is still drying and will not be ready to ship until late August 2026.
"Bridie's paintings invoke the beauty and intrigue of the landscape. She captures the snow, catches the light and conveys the mood of the sea".
Well worth the wait, I’m over the moon!! Your art and vision will bring much joy to many!!! Thank you Bridie!
I'm happy. I cannot find the words to tell how much I'm happy. Be sure I'll take care of it.
"Where dreams are made.... she's a stunner!"
"Thank you, thank you, it came perfect, love it"
Bridie O'Brien
Artist
Bridie O'Brien. Beobe. Short for B.O.B.
I was born in Young, NSW. Sheep and wheat country. Dust storms. Eldest of six in a split and patched family. An upbringing brimming with hard lessons, adventure and self-reliance.
I went to Sydney on a music scholarship and swapped paddocks for stages.
I have pulled cables through dark venues at 3 am. Called shows from the wings. Directed live television broadcasts. Managed teams across national roadshows. Travelled solo abroad extensively. Made a record on a remote Caribbean island.
I ride motorcycles and grow my own vegetables. I've played guitar at festivals here and overseas and written and released three studio albums. Music was never a hobby. It was oxygen. It carried me across continents and, in the end, led me back to the visual.
Art kept circling patiently. In 2020, when the stages went dark, I stopped pretending and chose painting fully.
Now I work in thick oil, cut in with a palette knife. I paint the places that have carved themselves into me. Headlands. Back roads. Snow country. Beaches that taste of salt. I am not chasing photographs. I am chasing the pulse beneath them.
Every landscape is lived and felt first. I stand in it. I feel the temperature shift. I notice the light, the shade. Then I paint it by hand. One of a kind. Pure oil. Clear vision.
Learn more about Bridie in The Beobe Story section.