
BELOW THE COMET LINE
Circa 2019, somewhere between Lourdes and Beaucens, I rented a tiny shack with a woodfire oven that smoked like it had lived a hard life. Small bed. Small sink. Small everything. Outside, the Pyrenees rose up cold and serious beneath a steel sky. I’d been reading about Andrée de Jongh, Dédée, the young Belgian resistance fighter behind the Comet Line, smuggling stranded Allied soldiers across these mountains during the war. Through snow, exhaustion and Nazi patrols. Again and again. An astonishing woman carved from sterner material. Naturally, inspired by her courage, I decided I too should venture deep into the Pyrenees. Admittedly, my mission lacked urgency. I packed a Bueno choc bar, two clementines and an inflated sense of capability. The trail climbed hard. Meltwater rushed over black rocks. Wind came down off the peaks, cold and predatory. For the first hour I felt alpine and vaguely cinematic. By the third, I was wheezing uphill searching for a lost mitten and seriously considering the merits of turning back for a cheese board and a glass of red. Dédée led people across the Pyrenees under the threat of execution. I managed three hours and surrendered to dairy.Oil on stretched canvas / 100cm x 76cm / framed in Tasmanian Oak and ready to hang
* This painting is still drying and will not be ready to ship until late August 2026.
"Bridie's paintings invoke the beauty and intrigue of the landscape. She captures the snow, catches the light and conveys the mood of the sea".
Well worth the wait, I’m over the moon!! Your art and vision will bring much joy to many!!! Thank you Bridie!
I'm happy. I cannot find the words to tell how much I'm happy. Be sure I'll take care of it.
"Where dreams are made.... she's a stunner!"
"Thank you, thank you, it came perfect, love it"
Bridie O'Brien
Artist
Bridie O'Brien. Beobe. Short for B.O.B.
I was born in Young, NSW. Sheep and wheat country. Dust storms. Eldest of six in a split and patched family. An upbringing brimming with hard lessons, adventure and self-reliance.
I went to Sydney on a music scholarship and swapped paddocks for stages.
I have pulled cables through dark venues at 3 am. Called shows from the wings. Directed live television broadcasts. Managed teams across national roadshows. Travelled solo abroad extensively. Made a record on a remote Caribbean island.
I ride motorcycles and grow my own vegetables. I've played guitar at festivals here and overseas and written and released three studio albums. Music was never a hobby. It was oxygen. It carried me across continents and, in the end, led me back to the visual.
Art kept circling patiently. In 2020, when the stages went dark, I stopped pretending and chose painting fully.
Now I work in thick oil, cut in with a palette knife. I paint the places that have carved themselves into me. Headlands. Back roads. Snow country. Beaches that taste of salt. I am not chasing photographs. I am chasing the pulse beneath them.
Every landscape is lived and felt first. I stand in it. I feel the temperature shift. I notice the light, the shade. Then I paint it by hand. One of a kind. Pure oil. Clear vision.
Learn more about Bridie in The Beobe Story section.