
THE ICE TRAILS
Cradle Mountain, part of Tasmania's Cradle Mountain-Lake St Clair National Park, has a rich history deeply connected to the Indigenous Palawa people. Cradle Mountain is part of their ancestral land. They used the area for hunting and gathering, taking advantage of the abundant wildlife and native plants. Their deep spiritual connection to the land is evident in the stories and traditions passed down through generations.
In the early 20th century, European settlers began to explore the area. Gustav Weindorfer, an Austrian immigrant, was key in promoting Cradle Mountain's natural beauty. He built Waldheim Chalet and advocated for the area to become a national park, which eventually happened in 1922.
As a nature enthusiast, I couldn’t wait to visit this magnificent national park and spend time on the tracks and trails of its high country.
Oil on stretched canvas / 60cm x 90cm / framed in black wood
CURRENTLY ON EXHIBITION:
First Sentier, Tower 3, Barangaroo, Sydney. 27 Jan - 30 April 2026
To view this work, please book a viewing at the First Sentier reception. Contact Jaime Gavin.
Email: jaime.gavin@firstsentier.com
Call: 0412 093 309
"Bridie's paintings invoke the beauty and intrigue of the landscape. She captures the snow, catches the light and conveys the mood of the sea".
Bridie's original paintings are also available as giclee prints, the highest standard in true-to-life art prints.
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Well worth the wait, I’m over the moon!! Your art and vision will bring much joy to many!!! Thank you Bridie!
I'm happy. I cannot find the words to tell how much I'm happy. Be sure I'll take care of it.
"Where dreams are made.... she's a stunner!"
"Thank you, thank you, it came perfect, love it"
Bridie O'Brien
Artist
Bridie O'Brien. Beobe. Short for B.O.B.
I was born in Young, NSW. Sheep and wheat country. Dust storms. Eldest of six in a split and patched family. An upbringing brimming with hard lessons, adventure and self-reliance.
I went to Sydney on a music scholarship and swapped paddocks for stages.
I have pulled cables through dark venues at 3 am. Called shows from the wings. Directed live television broadcasts. Managed teams across national roadshows. Travelled solo abroad extensively. Made a record on a remote Caribbean island.
I ride motorcycles and grow my own vegetables. I've played guitar at festivals here and overseas and written and released three studio albums. Music was never a hobby. It was oxygen. It carried me across continents and, in the end, led me back to the visual.
Art kept circling. Quiet. Patient. In 2020, when the stages went dark, I stopped pretending and chose painting fully.
Now I work in thick oil, cut in with a palette knife. I paint the places that have carved themselves into me. Headlands. Back roads. Snow country. Beaches that taste of salt. I am not chasing photographs. I am chasing the pulse beneath them.
Every landscape is lived and felt first. I stand in it. I feel the temperature shift. I notice the light, the shade. Then I paint it by hand. One of a kind. Pure oil. Clear vision.
Learn more about Bridie in The Beobe Story section.