
HYAMS KINDA DAY
I walked down to Hyams Beach on one of those rare days when the universe seemed to have temporarily got its notes in order.
The sun was warm without being murderous, the water was that ridiculous Jervis Bay green, and the sand so white it felt vaguely aggressive.
Despite my well-documented and entirely rational fear of sharks, I went in. I knowingly entered the natural habitat of the thing I’m afraid of, then spent the whole time wondering if every shadow was a fin.
Still, I floated. And after a while, something inside me began to loosen.
There are days when you carry yourself around like a badly packed suitcase. Aches, worries, old conversations, things you should have said, things you definitely shouldn't have said, and the general accumulation of being a person.
Then the ocean gets hold of you and somehow makes it feel better.
I lay back in the shallows and let the sun warm my face. For once there was nothing to fix, achieve or prove.
A little way up the beach, three adults sat together. I had no idea who they were. Friends, family, lovers, bank robbers. Possibly some combination of all four.
But something was happening between them. No shouting or dramatic gestures, just a glance, an uncomfortable posture, a little emotional distance. The sort of drama we're all remarkably good at hiding.
Then one of them stood up and walked away. The other two stayed sitting.
I watched for a moment, then turned back towards the water. Whatever was happening between them belonged to them. There was something strangely beautiful about seeing sadness without needing to own it. Maybe that's one of the privileges of being a stranger.
So I lay back in the shallows, trying not to get eaten, while the sun warmed my face and the rest of the world temporarily lost its grip on me.
A perfect day.
And, for a little while, a perfectly quiet mind.
Oil on stretched canvas / 70cm x 50cm / framed in Tasmanian Oak and ready to hang.
* This painting is still drying and will not be ready to ship until late November 2026.
"Bridie's paintings invoke the beauty and intrigue of the landscape. She captures the snow, catches the light and conveys the mood of the sea".
Well worth the wait, I’m over the moon!! Your art and vision will bring much joy to many!!! Thank you Bridie!
I'm happy. I cannot find the words to tell how much I'm happy. Be sure I'll take care of it.
"Where dreams are made.... she's a stunner!"
"Thank you, thank you, it came perfect, love it"
Bridie O'Brien
Artist
Bridie O'Brien. Beobe. Short for B.O.B.
I was born in Young, NSW. Sheep and wheat country. Dust storms. Eldest of six in a split and patched family. An upbringing brimming with hard lessons, adventure and self-reliance.
I went to Sydney on a music scholarship and swapped paddocks for stages.
I have pulled cables through dark venues at 3 am. Called shows from the wings. Directed live television broadcasts. Managed teams across national roadshows. Travelled solo abroad extensively. Made a record on a remote Caribbean island.
I ride motorcycles and grow my own vegetables. I've played guitar at festivals here and overseas and written and released three studio albums. Music was never a hobby. It was oxygen. It carried me across continents and, in the end, led me back to the visual.
Art kept circling patiently. In 2020, when the stages went dark, I stopped pretending and chose painting fully.
Now I work in thick oil, cut in with a palette knife. I paint the places that have carved themselves into me. Headlands. Back roads. Snow country. Beaches that taste of salt. I am not chasing photographs. I am chasing the pulse beneath them.
Every landscape is lived and felt first. I stand in it. I feel the temperature shift. I notice the light, the shade. Then I paint it by hand. One of a kind. Pure oil. Clear vision.
Learn more about Bridie in The Beobe Story section.