
SURFERS BRONTE
I watched Bunnies from above, which is a polite way of saying I didn’t have the guts or the talent to surf it.
A mate’s balcony. Perfect angle. Breeze, view, smoke drifting, someone half-competent on a guitar.
We’d lean on the railing like experts, calling sets we couldn’t ride, critiquing wipeouts, applauding from a safe, elevated position. Below, the same wiry locals stitched through the reef like they’d signed a lease with it. Sunburnt, unbothered, good.
Bronte was rougher then. Crooked park, feral kids, change rooms that smelt like wet concrete and other things. The coastal walk was more stumble than statement.
Fish and chips were mandatory. Grease bleeding through paper, chips hot enough to injure, vinegar hanging in the air. Seagulls casing the joint like petty criminals. We’d sit there burning our fingers, watching the surfers do their thing while we did absolutely nothing.
That was the rhythm. Swell, hunger, ego, repeat. The reef’s still out there. The shop’s still frying. I’m the one who left. Still end up back there on hot Sydney days, like I’ve got unfinished business with a wave I never rode.
Oil on stretched canvas / 60cm x 60cm / framed in Tasmanian Oak and ready to hang.
* This painting is still drying and will not ship until late May 2026
"Bridie's paintings invoke the beauty and intrigue of the landscape. She captures the snow, catches the light and conveys the mood of the sea".
Bridie's original paintings are also available as giclee prints, the highest standard in true-to-life art prints.
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Well worth the wait, I’m over the moon!! Your art and vision will bring much joy to many!!! Thank you Bridie!
I'm happy. I cannot find the words to tell how much I'm happy. Be sure I'll take care of it.
"Where dreams are made.... she's a stunner!"
"Thank you, thank you, it came perfect, love it"
Bridie O'Brien
Artist
Bridie O'Brien. Beobe. Short for B.O.B.
I was born in Young, NSW. Sheep and wheat country. Dust storms. Eldest of six in a split and patched family. An upbringing brimming with hard lessons, adventure and self-reliance.
I went to Sydney on a music scholarship and swapped paddocks for stages.
I have pulled cables through dark venues at 3 am. Called shows from the wings. Directed live television broadcasts. Managed teams across national roadshows. Travelled solo abroad extensively. Made a record on a remote Caribbean island.
I ride motorcycles and grow my own vegetables. I've played guitar at festivals here and overseas and written and released three studio albums. Music was never a hobby. It was oxygen. It carried me across continents and, in the end, led me back to the visual.
Art kept circling. Quiet. Patient. In 2020, when the stages went dark, I stopped pretending and chose painting fully.
Now I work in thick oil, cut in with a palette knife. I paint the places that have carved themselves into me. Headlands. Back roads. Snow country. Beaches that taste of salt. I am not chasing photographs. I am chasing the pulse beneath them.
Every landscape is lived and felt first. I stand in it. I feel the temperature shift. I notice the light, the shade. Then I paint it by hand. One of a kind. Pure oil. Clear vision.
Learn more about Bridie in The Beobe Story section.