
SOLD
QF545 Seat 7A is an original fine art painting by Bridie O'Brien.
From high up in the sky, this painting captures a glimpse of the Australian landscape. It was inspired by a night flight over Northern NSW en route to Brisbane. Seated aboard a commercial aircraft, we are afforded the chance to witness our great country in all its glory. We can witness the effects of climate change firsthand - the eroding coastlines, the flooded plains, and the forests ravaged by fire. We can see the impact that mining and forestry have had, and continue to have, on the land. We can comprehend the vast expanse of land that is sacrificed for our energy, shelter, food, and transportation needs. We can trace the winding river systems, dry and verdant alike. We can marvel at the animal tracks, the farmland crops, the mountain ranges, and the waterways.
From our lofty vantage point, we are like gods, gazing down upon the Earth. We are humbled by the realisation of our own insignificance, even as we recognise the profound significance of our presence on this planet. This painting seeks to capture both the majesty and beauty of the landscape, as well as the concerns that weigh heavily on our minds.
Acrylic on stretched canvas / 76cm x 102cm / Un-framed
"Bridie's paintings invoke the beauty and intrigue of the landscape. She captures the snow, catches the light and conveys the mood of the sea".
Bridie's original paintings are also available as giclee prints, the highest standard in true-to-life art prints.
Hustle your imagination ⚡️ Get Beobe on your wall!
Well worth the wait, I’m over the moon!! Your art and vision will bring much joy to many!!! Thank you Bridie!
I'm happy. I cannot find the words to tell how much I'm happy. Be sure I'll take care of it.
"Where dreams are made.... she's a stunner!"
"Thank you, thank you, it came perfect, love it"
Bridie O'Brien
Artist
Bridie O'Brien. Beobe. Short for B.O.B.
I was born in Young, NSW. Sheep and wheat country. Dust storms. Eldest of six in a split and patched family. An upbringing brimming with hard lessons, adventure and self-reliance.
I went to Sydney on a music scholarship and swapped paddocks for stages.
I have pulled cables through dark venues at 3 am. Called shows from the wings. Directed live television broadcasts. Managed teams across national roadshows. Travelled solo abroad extensively. Made a record on a remote Caribbean island.
I ride motorcycles and grow my own vegetables. I've played guitar at festivals here and overseas and written and released three studio albums. Music was never a hobby. It was oxygen. It carried me across continents and, in the end, led me back to the visual.
Art kept circling. Quiet. Patient. In 2020, when the stages went dark, I stopped pretending and chose painting fully.
Now I work in thick oil, cut in with a palette knife. I paint the places that have carved themselves into me. Headlands. Back roads. Snow country. Beaches that taste of salt. I am not chasing photographs. I am chasing the pulse beneath them.
Every landscape is lived and felt first. I stand in it. I feel the temperature shift. I notice the light, the shade. Then I paint it by hand. One of a kind. Pure oil. Clear vision.
Learn more about Bridie in The Beobe Story section.